Still Moves | one | Russell Mills and Mike Fearon

Still Moves | one

by Russell Mills and Mike Fearon

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Awaelitra Absolutely immersive and beautifully textured listening experiences to be had with this series. I regret not jumping on Russell's train years back, but I'm happy to say that I've finally come to my senses. I look forward to hearing/seeing what he has in store for the future.

diego chersicola This is the kind of adventurous and uncertain terrain I wish to walk on. Truly erotic.

Victoria Carter Clowes The perfect fusion of imagery and music; 'Still Moves | one' is, quite simply, a beautifully produced, and exquisitely presented, piece of visual and aural art. Each listen reveals new textures and sounds, further developing the enjoyment of the experience. I await the next instalment with baited breath. Favorite track: Mantle (Extended Mix).

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Compact Disc (CD) + Digital Album
Limited edition in a 40-page, full-colour, hardback book bound in foil-blocked and blind-embossed grey linen with two CDs.

The first in a series of six limited-edition, full-colour hardback books, charting the evolution of the multimedia installations they have created since 1994. Each book contains interpretative texts, photographs of the installations and two CDs of re-mixed and re-imagined soundworks made for each work.

Includes unlimited streaming of Still Moves | one via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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edition of 650

£30 GBP or more
Signed edition of 100
Compact Disc (CD) + Digital Album
Signed by both Russell Mills and Mike Fearon.

Includes unlimited streaming of Still Moves | one via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	Between Two Lights 20:48
	2.	Soundings 15:29
	3.	Looming 07:33
	4.	Measured In Shadows 22:19
	5.	Still Moves 17:45
	6.	Mantle (Sonic Boom Catalogue Edit) 07:02
	7.	Mantle (Extended Mix) 31:05

about

Process-driven and contextually anchored, the Still Moves soundworks comprise tracks of seductive unease. Filmic, atmospheric and yet intimate, subtly melodic without being overly musical, they explore the abstract quality of sound while focusing on its transformative potential to evoke a magnified sense of place.

Devised and produced as multi-channel aleatoric soundworks for specific architectural spaces and environments, the pieces have been made with an amalgamation of disparate yet spatially and conceptually connected sonic elements. Reflective of place and history, analogous to the ceaseless flux of nature’s generative processes, the pieces use electro-acoustic and hybrid instruments, non-musical objects such as stones, gravel, ice, breathing, found sounds, urban and rural field recordings and occasionally, archive audio samples to create tightly woven aural webs of multi-layered density to create psychologically-charged, immersive environments.

credits

released November 23, 2015

All tracks written, recorded and produced by Russell Mills and Mike Fearon at Shed Studio, Ambleside, Cumbria.

Art and design by Russell Mills.
Photography by Russell Mills.
Design assistance by Michael Webster.
Mastered by Mike Fearon at Shed Studio.
Published by Touch Music (MCPS).

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